CETA NorCal High School Theatre Competition

San Jose State University Theatre Dept. will be hosting the California Educational Theatre Association's Northern California High School Theatre Competition on Saturday, Feb. 4th, from 9:00 AM to 4:00 PM. The Festival is open to all high school students in Northern California. Students can choose to participate in acting competitions (1-2 minute monologues, 3-5 minute duet scenes, 3-5 minute group scenes (3 or more), and also attend workshops given by theatre professionals, SJSU Professors, and others. Technical Theatre Students can attend workshops for the entire day in technical theatre components (lighting design, costuming, make-up, sound design, etc.). There will be an on-going center for headshots and resumes, and SJSU's STEP Touring Ensemble will be presenting "King."

More information is available at www.cetoweb.org. Click on "California Educational Theater Association," then on "NorCal Festival." Registration is online at that website. For more information, contact Dr. Kathie Kratochvil @ kathie.kratochvil@sjsu.edu.

Self-Presentation: What Everyone Should Know


The importance of a good first impression on people cannot be overstated. It is your chance to set the tone for a good relationship and to create a proper and accurate view of yourself for others. Towards that end, why would a young performer do anything but try their hardest to present themselves well to the people they hope to work with? A recent gripe amongst my fellow directors has been the plague of poorly presented young professionals. Unkept clothing, poor manners and sloppy personal grooming all come up again and again. So, here for you now are some tips for young performers on how to present the best YOU that you can.

- Clothes really do make the person: By this, we don’t mean that you have to dress in designer threads to look good. You do have to understand how to dress well for your frame and for the right occasion. Learn to make the leap from everyday school-dress to a clean a polished audition ensemble. It will show you are serious about getting the job. Local actress Lani Wong agrees: “If you can, dress to impress. Your attire should resemble either the best of you, or dependent on the casting call/audition be dressed according to the character (not in full garb but I think a hint of the character is good) or according to their requirements. READ what an audition posting says!” When in doubt, get help from a fashion savvy friend or from a store employee.
This also applies to knowing how your clothes “work”. For example: All men should know how to tie a tie two ways (four in hand, half Windsor). Liesl Yost Barraza and Laura Schmidt agree that it is important for women to know how to walk properly in heels of varying lengths. All actors should know how to maintain their clothes as well. Know how to do your laundry, steam iron different articles of clothes, polish shoes, do minor sewing repairs, and find a good dry cleaners. Don’t know how to do these things? Look on YouTube. You can do much more on there than look at cats playing the piano.

Cool? Yes. Audition worthy? NO.
- Learn how to really groom yourself: It takes time to really know how to present a well-groomed version of you, but it makes a big difference. Know how to style your hair and have a good barber/stylist lined up for cuts, trims and even colorings. The big thing is to not look unkempt, and for us to be able see your face without constant hair adjustment. Men should know how to get a good, close shave. (Personal tip: Your grandpa had it totally right when he used a badger hair shaving brush in a mug with shaving soap. I wish I had those in high school. They work wonders!) Everyone, even men, should know how to do make-up. Blemishes happen. Know how to fix it if it helps you feel more confident. And please, brush your teeth, clip and clean your fingernails, shower, clean your ears and wear deodorant! This will impress more than just the director.

- Manners matter: While I think charm and beauty school is a bit too much, I feel that it is very important to know how to properly behave in a setting where you are in the presence of people who deserve respect. This isn’t meant to be a drastic overhaul a la My Fair Lady, but more of a tune-up for these situations.
            Think about posture. Stand and sit-up straight. It shows you are engaged and interested. Don’t slouch or sit forward with your elbows on your knees when seated.
            Verbal manners are big nowadays because they are really falling by the wayside. Learn proper grammar and use it. If this sounds anything like you, seek help: “Like, me and my friends were like, walking to that place, you know? And then, whatever. It was total waste of time, man.” Also, it should go without saying, but please: don’t cuss. Nothing makes you seem less desirable. Remember: “please”, “thank you”, and “may I”. Your teachers aren’t just being nags when they correct you. Also, know what appropriate subject matter is and isn’t in polite conversation. There are some things that are not flattering to overhear when you are trying to make a good impression.
            Also, (and I cannot believe I have to point this out), the following activities are frowned upon in public: nose picking, butt scratching, nail biting, gum popping, uncovered sneezing/coughing and “uncontrolled emissions”. This is being said because each and every one of these examples is FAR more common than you think.

The bottom line: Director’s find it very easy to cast people who know how to show the best of themselves in all aspects. It takes effort, knowledge, and thought, but it pays off exponentially. Take the time and take it seriously, and it will show.

            Special thanks to the many Facebook contributors who helped with this article: Lani Wong, Kim Saunders, Candice Price, Geri Carlson Sauls, Vera Sloan Canton, Kelly Lehane, Theresa Hoyer, Liesl Yost Barraza, Kathie Kratochvil, Christopher Villa, and Laura Schmidt.

Audition Song Choices - The Demons Within

When theatre directors sit in at auditions, there is a laundry list of what they are looking for from the actors who take the stage as we have gone into before. But as I look at notes from auditions I have held in the past, a pattern comes up. The phrase "bad song choice" is seen over and over. It is a plague, and it must be stopped. So, I put it out to friends, colleagues and Facebook folks alike to see what they thought. There was some agreement and some mild debate, but it should give you a good look at what most directors do not want to see... maybe even never again.

Disney songs
Quite frankly, I was surprised to see the mouse get the axe. There are some great songs out there, but evidently there is some bad sentiment towards the Disney catalog. Cupertino High School theatre director Arcadia Conrad isn't a fan of "Part Of Your World" from The Little Mermaid, while Santa Cruz High freshman Enya Murray wouldn't mind a ban on "most Disney songs". Why the rancor? Well, Disney shows are so well known, that it is very hard to distance your performance from what we all hear in our heads thanks to the movies and soundtracks. We know every lilt, dynamic, and unique phrasing used by the performers in the originals that you are either in danger of being a copy-cat, or being looked as weird for trying to reinvent the wheel. Find a more savvy song choice that shows you know more than what is just popular.


Difficult Accompaniment
Composers like Steven Sondheim, Andrew Lloyd Webber, and Jason Robert Brown are known for their incredibly intricate or lavish orchestrations which are wonderful to behold when in the hands of a truly gifted group or a talented individual. The problem is that they are quite often just too hard for an audition pianist who is sightreading. It is a sad truth in our business that your average accompanist while skilled, is not there to get every note right. They are there to give you strong backing as you sing. So, giving them a piece like "On The Steps Of The Palace" from Into The Woods with its strange time signatures is just cruel. Either they will play it wrong, or they will play it so sparsely that it won't make sense to you or anyone. Rachel Michelberg agrees: keep it simple. Keep it in 4/4 with a strong downbeat, no crazy key-changes. And always work your pieces with a pianist beforehand.

Inappropriate
I love shows that show reality for what it is. Sex, drugs, violence, lies, love, loss, war, death... these all exist in real life and should exist in theatre in a tasteful manner. But, there are times when I really do not want a certain song coming from a certain performer. For example: if you are a fourteen year old, do not sing "When Your Good To Mama" from Chicago or "Man" from Full Monty. It is disgusting, period. Don't do it. I never want to hear such a young performer sing about sex. Also, stay away from songs that are just plain vulgar. Avenue Q is a killer show and I love it, but I don't want to hear many of the songs from it at auditions. It just doesn't showcase your skill as a performer, it showcases the material and the fact that you chose it. This category also goes into knowing your type, again we have talked about that before. Don't choose "Your Daddy's Son" from Ragtime or if you are barely in high-school. It is just awkward. Also, pop music fits into this realm. Musical theatre auditions are for musical theatre pieces unless directed otherwise. Keep pop out of the equation. It is a different style of music entirely and it doesn't often showcase good technique or storytelling skills which all performers need.

Step away from the sheet music, and no one gets hurt.
Done to death
Either it is an old gem, and we are all sick of it. Or it is a hot new show, and we are all sick of it. So, here is a short list of songs or entire shows that should just plain be avoided at auditions, unless you want a director to tune out the second you sing.

-Oklahoma (whole show)
-Rent (whole show)
-Annie (whole show, "Definitely ban 'Tomorrow'. Good song but WAY over done" - Victoria Jones)
-The Fantastics ("Much More" from The Fantasticks is way overdone! - local actress Kristen Carder)
-Wicked (whole show, especially "Popular". Louis "Joey" Kruse agrees, adds that Schwartz is also in the "difficult accompaniment" category)
-A Chorus Line ("What I Did For Love")
-Thoroughly Modern Millie ("Gimme Gimme", Carder says)

And the list could go on and on. This is a very small sample, and there are bound to be disagreements and exceptions. If the song is specifically requested, or the specific composer is requested, then all of this is basically null and void. The point is, be savvy about your choices. Song choices showcase your ability and talent as a performer, but they also show you are a knowledgeable and informed artist when it comes to the many incredible works that are out there. Prove to directors that you know your stuff and have a passion for musical theatre beyond what is just on the surface. Don't just pick the cool, popular, hard, strange, rare or funny songs. Pick the right ones. Break legs.

    Twitter Spotlight